two marcel dettmann remixes of the morphosis track too far that was on the album what have we learned released earlier this year called. original also included. after newworldaquarium and just for one day already reworked some choice cuts from morphosis what have we learned album, there will be a second remix sampler released at the end this year. ostgut-frontman marcel dettmann delivers his dettmann definitions from too far and will join by the original cut from morphosis himself on release.

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

sk 011, 444, centralbron, midsummer night, babar, russian folksong, carbon oxide, i love water, all those brilliant tiga productions... we really don t know what else to say - just try to imagine the history and future of this dance music thing we re all involved in without jesper dahlback... nah, rather not, right? being part of jespers discography is the greatest thing that has happened to studio barnhus up until now and these two tracks, fransson and dx2 rmx, are up there with all those previously mentioned masterpieces. fransson is a freaky, windowlicker-esque jam while dx2 rmx is a dance floor burner which perfectly balances melancholia with joy.

rounding off what has been a busy year for idle hands comes a 12 inch from west country residents outboxx. this duo, comprised of jacob martin (aka hodge) and matthew lambert have steadily built a reputation for themselves with releases on well rounded and immerse. moving away from the dominant trends in bass music the pair have been forging a sound more akin to early nineties deep house - yet retaining a palette of 2011 sounds. here they present two tracks - >aporia< is a lesson in wistful house, all pianos and a sneeky bass drop half way through the tune. >cromwell< is a straight ahead house roller, but with enough sub to keep the bass enthusiasts happy. support so far from ramadanman and sven weiseman.

bizet reactions, their first release ever. a special moment for every new act. and its vinyl what were talking about. savoir records is taking its next step in the business of serious and shares with you a bucketload of good and honest electronic music.

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

>hold on< has been given the inimitable touch of deep house master marcus worgull. a classically trained musician like kabuki, he has stripped the track and used jennas vocals stabs to create a exquisite minimal groove to stunning effects. rising drum and bass star eveson has been given >generation x< to remix, and his <ode to a rave generation< is exactly what it is: keeping the haunting synth loop throughout, slowing the track down to finally go back to a rave-friendly 140 bpm with vintage breaks, and making the most of paul st hilaires colourful voice. the result is as awesome as skreams recent >burning up<.

a skillz is back at the controls for the 12th release on his imprint insane banger … and what a release … all four tracks have featured heavily in his dj sets for the last few months and he couldnt take the requests to release them anymore.
support from: dj nu-mark, dj love, dj yoda, jazzy jeff, krafty kuts, featurecast, z trip, jaguar skillz & many more ...

for the past decade or so, polish musician michal jacaszek has been exploring a new, resolutely modern chapter in eastern europes long, storied love affair with classical music. his creations are painstakingly crafted collages of electronic textures and baroque instrumentation, harpsichords being swarmed by woolly static one minute and pulled apart by billowing wind the next. ambient music - if we can generalize unnecessarily for a second - is rarely so sonically challenging.
limited to 700 copies, including free download coupon.

if you were to ask freedarich to state the artistic area he prefers working in, his shotgun answer would most probably be music with all its influences. what amuses and enthuses me most, is the subtly absurd introduction of different styles freedarich says about himself. generally, his main passion seems to lie in the unearthing of the concealed and unknown, and making these accessible to the listener.

knowing looks kicked off 2011 for wncl recordings with with his much loved, hard stepping abandoned skip, backed with the acclaimed symphonic masterpiece that was last kiss at the plains hotel. jason hopfner is back again to neatly tie up a busy year at wncl hq, unveilling the classically constructed epic listen to my 45 - described by ben ufo as >lovely. gorgeous. slick. buff etc< … and who are we to disagree. just do what it says on the tin, then flip over for ghost baby - yet another fine example from hopfners rich and varied production cannon, melding super cool minimalism with party breaks. merry christmas from the cassette library!

after a short break aaron jays influence records is back with another top draw 12 from none other then liquid master random movement. having released an album on markys innerground label last year, random movement was keen to drop a 12 inch on influence and what a 12 it is. both sides are dance floor killers, both on heavy rotation at fabric and have been supported by the likes of spy, fabio, lynx, grooverider & bailey.

techhouse with french feeling

following the debut lp on ki, we have put together a few of our favorite artists to remix some tracks of their choice. it was important for us, that the artists kept their individual approach to their genre, so that we could get a very diverse release. first up is the japanese producer stereociti, who just released his debut album on mojuba records. he gives the title track >reisegefaehrte< his very own deep touch. second up is our close friend glitterbug, who seems to create a very own genre with his interpretation of >barracuda<. on the flipside stundman goes straight to the dancefloor. jacking beats and pounding basslines are his >reminder<. and as if p.laoss knew what the real deal is, he turned >subsistence< into a fata morgana trip back to the time when dub was really dub. perfect completion of what we expected from this remix ep.

uncanny the label that took everyone by surprise comes with more goodness! the third artist-ep by dresden-based label comes from house- and hip hop-mastermind cuthead and is nothing less than a proper power package. with vibratin things start off as deep as the bottom of the sea. underneath cutheads dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. brother rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. with transgressions and its bass line for the bigger floors things get down to house business once again. the remaining two tracks then give an impression of what happens, if cuthead takes to the mpc for his liveset. in seram lembah und heartless cuthead combines his drumming with south east asian disco-mantras und bittersweet blues chants to heavy hip-hop-grooves. loving it!

the new phoenix g (pg039) is an excellent deep and hypnotizing release. relying heavily on one shot chords and thumping vintage drum machines this is one for the bag. the a1 concequences is a real deep one with nice open hats and good places chords. a real open mix for the late / early hours. the b1 is a real vintage percussive slammer with nice one shots that together create a real oldschool vibe. the latin vocal in this track gives it a somewhat different vibe,really good for the dancefloor.the b2 is a dark peak time anthem. this will go off at any quality house evening. what a strange but wonderful vibe those rhodes in the middle are giving.true analog deephouse by mr.g

coloured vinyl: solid dark green and white mixed. after tokyo prose successful entrance onto the scene with their introducing series creativity began to flow. a series of collaborations with numerous producers began and it was inevitable some of these would bare great results. phil tangent had one of the singles of 2010 for marcus intalex soul:r label and was a perfect creative partner for the ideas charged tokyo prose. >parity< marries the pairs styles perfectly, with a euphoric vocal tempered by subtle gliding beats and bass. >rearview< is a sign of what drum and bass is missing in 2011. smooth, deep and soulful music that reminds us again how powerfully emotive the genre can be.
dj support from marcus intalex, dj marky, spectrasoul, presha and more to come..

last release of the year for crosstown and what a year its been and what a release to close the year with! guti returns to the fold alongside fosky, armed with a martinez brothers remix. the > step ep< is something special for christmas, which youll be playing all through next year (2012). its simply outstanding

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

duets ii is another collection of american songbook standards performed in the best of ways. it includes collaborations with the best voices of music: aretha franklin, natalie cole, norah jones and k.d. lang grace the recording booth with this legendary singer.
but it is the tragic and premature passing of amy winehouse that makes this album truly special, her appearance on the duet >body and soul< is the last known recording of the british songbird, and it is a truly heartrending version of the 1930 jazz classic. if this isnt grammy material, we dont know what is!
pressing on double 180 grams audiophile vinyl, housed in gatefold sleeve.

the second part of the >diorama< remixes offers again some of the finest producers around.
starting with kollektiv turmstrasse! what kicks off as a chez damier groove makes the transition into a loose dub monster. collecting traces of the original sound and dispersing them with magic movements we see why kollektiv turmstrasse are a top act. shifting the attention from the front to the far back from the obvious to the abstract... turmstrasse create that parallel groove on top of the groove which seems to tighten up with every minute. fine particles of sounds are sprayed onto the relentless groove and make it a real crowd pleaser.

>call me< is a welcome dose of precisely what we all need right now: a brilliant ray of sunny electro disco to warm up our winter dancefloors. dj nibc, the berlin-based, gothenburg-born dj, producer and trunkfunk records label owner has joined forces with fellow swedish house cat patrick l for a collaborative effort that offers a fresh, playful and breezy take on deep disco grooves. the dj nibc mix rides a languid summer afternoon tempo, accompanied by shimmering light beams and sweet synth chords, rising to a peak of uplifting strings and soulful vocals that weave around the tracks core retro melody. the patrick l mix gives the full polyphonic treatment, shifting the filtered strings to the intro, intensifying the bass, and using subtle punchy cut-ups in contrast with patricks crystal-clear vocal treatment. fellow swede tiger stripes completes the trio of countrymen, with a tiger stripes remix that moulds the track into an urgent dancefloor cut, emphasising an irresistible bass melody, a thudding kick drum, and classic house stabs of synths and voice. londons newest simmering hot creations signee funnels even more sunshine into his rework, as the crea albas lost soul remix splays out the the tracks high hats and fills all available spaces with arcs of retro synths and cosmic reverb.

its number 77 here at morris audio and your weekly dose of house and techno! 4 hot producers giving you the beats and basslines you need. starting with swiss duo azuni, their raw chord is a special one. sadly, it will be their last track ever released, as the azuni project has come to an end and gianni and sven will work solo in the future. thank you guys! frenchman julien sandre is what you call a name to watch. his music has been released by labels like tsuba or diynamic and his future looks bright. the flipside offers us housemaster dj aakmael (uzuri, unxpozd entertainment) with some old schoolish beats for all those mixmasters out there.
big with: maceo plax, mic newman, robert dietz, sebo k, huxley, hector, trickski, jordan peak, ekkohaus, james johnston, roberto rodriguez, shaun reeves, boris hotton,..

jordan peak (tsuba) on robsoul recordings !

aux-rec is back for its fourth project, following the >baker man< edit by soul clap (so good it became an official remix on laid backs label), first class remixes by franco cinelli and the >caught up< bootleg by le loup & funkalicious james aka childhood 87. we are feverish to bring you today two new bomb bootlegs by argentine top producers leonel castillo and lexdinamo. those in the know have been familiar with these names for over ten years now and know how rare their productions are. as a matter of fact, this is probably the first time you will be able to get your hands on such bootleg productions from these two cats. leonel castillos signature shuffly blend is unmistakably recognizable on this a-side, on which he pays his tribute to one of the most emotional soul masterpieces by the dells, the 74 released >i wish it was me you loved<, bringing it into full dancefloor effect. lexdinamo does what noone did before, jumbling even further one of bobby mcferrins most genius vocal medleys, >drive<. avid bootleg followers may have previously heard this version, but we just cant get enough of it! coming up! more works by aux-rec regulars franco cinelli, leonel castillo and soul clap! stay booted!

golden gate... yes we love! this is the first 12 inch out of two, representing the golden gate club compilation. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place.

this is the second of two 12inchs accompanying the jazzanova remix compilation upside down. next to the motor city drum ensemble remix off the compilation it features two bonus tracks: the remix by manuel tur & dplay and a special dub edit of the mcde remix.

next up from abstract forms is part two of the combined ep series, again the focus being on outer-worldly electro jams. the artists on offer are versalife who has already made a big impact on the recent clone west coast series and matti turunen, otherwise known as one half of finnish electro duo morphology. together they offer 6 tracks of electro music ranging from fast paced, but deep and spacious compositions, to slow and sleazy bump and grind electronica.well, thats what we call it, see what you think.

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

after the massive >pressure< mixes were released in august, vince watson keeps up the momentum with an absolute monster and two class a artists on remix duty - dj rolando and paul woolford. >sequential< is one of those tracks that make your hair stand up just before you run to the dj booth to find out what it is. overall this is an outstanding package and expect to hear >sequential< in every main room in the very near future. oh…, and dont worry, you will know it when you hear it.

a tech house flight of the bumble bee provides the wind and propels you across multi beats, shimmering chords and occasional vocal refreshments. you know what to do - just keep on moving! on the flip shinedoe on the remix duties!

sei as most fully-realized piece yet, both a natural evolution of his sound and a perfect distillation of what we love about his melodic sensibility including 2 fabulous rmxs

glasgows mnx recordings resurface after a lengthy self imposed absence with a new limited ep featuring tracks from adam x, faustian pact, manasyt, cestrian (ali renault), microdot and cymbol. this is what the label had to say about the twelve.
transparent orange vinyl and limited to 200 copies.

cool but warm – is that possible? at least in respect of music. because its exactly these attributes that apply to what carsten rausch presents on the latest acker release

why another new label? arent there enough on the market? approximately this some people may think while reading about the new music label from wigbert called sono vivo ...
but its not just another label! for wigbert its an impersonation of his emotions, feelings and the love to music. letting the thoughts run and the belief that dreams become true. sono vivo means >live your dream< and thats exactly what this new project is!

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

returning to flapjack records vinyl department after a 10 release difference are those lovely uk chaps jackin box. to celebrate their return, they present us with the time honored traditional fun filled experience of the >cow tippin ep<. i used to think this may have only been an american past time, but apparently this is an international phenomena. not only do we love to eat cows, but we like to fuck with them for fun, by pushing them over while helplessly asleep standing up in a field. what a total dick move, but is as equal in fun as it is in douche baggery. so flapjack commends these boys and the fine jams that have inspired such mindless fun.

instra:mentals ever-evolving imprint is preparing to drop one of the more esoteric dance singles of the year in double hearts >salsa<, a glooped out swirl of an electro-house joint that jams on a particularly twisted variety of wavelengths. what strikes initially is the oscillating breakdown, but once inside the blender we are subjected to beady, drizzled percussion and six different shades of fire. a true hybrid, jd twitch and neil landstrumm’s new doubleheart project sounds very next level, indeed.

falke is the nom de plume of falk golz from leipzig, who lived unseen in kanns musical neighbourhood. he already convinced with his seldom contribution for the family horror compilation and ties in now with an own melted down ep. follow the 3 inimitable dirty and trippy underground house-tracks and be curious about what can be expected more of him in the future.

the labeldebute from be that as it may is served by ricardo esposito and michael nadje, with friendly support from luke hess.
the a-side of the record is the epic title track >nieves<, that in a straight way controls the nightly events on the basement floors. nieves is without a doubt taking each and every clubber on a mind trip. thanks to the drums in various arrangements, in combination with the heavy bass, nieves generates a forcing groove that even makes the floor dance.
luke hess reshapes nieves in a consisting and open way. with the given resources the remix is coming to an unsurpassed dynamic, which through percussion and dubby chord patterns is impressively direct. with this interpretation hess respectfully completes the release with sovereignty. vivantes is a classic tool which builds on the foundations of dub and rhythm. through the strongly repetitive pattern vivantes developes to something meditative, grounding the listener at the end of a journey of this extended play.
it is what it is.

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

heralding the birth of the first leleka is a limited edition, hand stamped, two-tone vinyl release from the labels owner vakula from konotop, whos name is widespread due to the success of releases on firecracker, and recently shevchenko (white labels with prints of ukrainian literary celebrities such as gogol, lesya ukrainka & shevchenko himself). these are an ideally captured ukrainian landscape of change, struggle, nature and art slightly embellished by industrial design of the 50s. and this is what the leleka label is all about, its musical concept reflects vakulas love of folk and live music, where passions and melodies play leading roles. this debut release contains six vintage tracks from vakula, almost serving as a prologue to his recent epic output. the meeting of imported soul, exploitation movies and detroit techno, with ukrainian folk melodies and soviet electronics, offers a glimpse into vakulas way of working, and gives us a taste of things to come

time to express hands in another hard-hitting, bass- heavy techno 12 inch. for our 18th release sp-x provides two original tracks while label owner peter van hoesen delivers the remix. you know what to expect by now.

produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

after their tremendously popular > famous ep< from earlier this year - which with the erlend oye-sampled > raindrops< featured one of the secret weapons of this rainy summers festival season - colognes most lovely hotspurs are back with a bang! >gravity< perfectly captures the raw energy of their live sets. highly infective staccato basslines and a thrilling storytelling characterize this class a stomper. the flipside tracks operate on a deeper level. >total dly< sounds like an homage to fellow colonian the modernist with its jumpy yet elegant chord patterns while the lullaby-ish - fiction- is the perfect end-of-the-night track complete with a tender vocoder chorus and all. what sets coma apart from most of their competition out there is their capability of creating emotive, highly recognizable music that is as much pop as it is techno. which obviously makes them as kompakt as can be.

180gr heavyvinyl ! back to black , classic hip hop

another grandios 12 inch from the untz untz records guys with a top notch remix package. this time its a hometown affair with all artist being from bergen, norway. so what is this then? is it house? is it prog? is it (dear we say it) almost trance? honestly we are not sure, but we know that it is balancing that magical thin red line somewhere in-between there and that it sounds powerful.